Collective

Alysa is an artist and dramaturg based in Hong Kong, travelling between Asia and Europe. She graduated with an M.A. in Contemporary Theatre, Dance and Dramaturgy at Utrecht University (2021-2022) with a full Holland Scholarship. She is devoted to researching sites, body, and self-identity connections with intercultural artistic research, experimental performance, and community arts. Her research interest covers from cities to oceanic cultures.

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Alysa's work has been presented locally and across various cities, such as Hong Kong, Taipei, Itoshima, Vienna, Kortrijk, Ticino, and Surabaya. 

Dr. Evelyn Wan is Assistant Professor in Media, Arts, and Society at the Department of Media and Culture Studies at Utrecht University. She coordinates the MA programme MA Arts and Society, and works on interdisciplinary curriculum innovation in the domain of Humane AI. Her research weaves alternative genealogies between historical technological inventions and contemporary emerging technology through the lens of decolonial media studies and performance studies. She also works as a dramaturg and performer between Europe and Asia. Her performance practice uses artistic research methods that intersect technology, colonial and inter-Asian ocean histories, mythology, and spirituality.

Sham Kwan Yin is a filmmaker who currently lives in Hong Kong. He graduated from Hong Kong Baptist University with BSocSc (Hons) in Communication - Film and Media Arts Major. Sham has been to Emerson College and Hunter College in the United States for academic exchange. His first short film THE KINGDOM OF MEN(2019) was selected by several international independent film festivals such as Cinedans FEST’20, Choreoscope, Barcelona Dance Film Festival, Jumping Frame 2019, etc. He began working in arthouse cinema as Cinematographer and Editor. He’s been collaborating with performing artists through Hong Kong Art Festival, Theatre De la Feuille, and independent artists. Works includes theatre films and documentary Journey to the West (2021), 1314(2021), The making of Lovestream (2022), etc. His recent work, Lonely Together (2023) is nominated as the finalist for the 29th ifva festival open category. He’s now currently focusing on documentary filmmaking and Visual Design.

Dr. Ayami Oki-Siekierczak (PhD) is a set and costume designer whose works are often based on her academic research. As an academic, her research at the Tsubouchi Memorial Theatre Museum of Waseda University, Tokyo currently focuses on the reception of Western narratives in Asia, and colour theory / colour psychology in performance. These studies have helped her to design, to explore music, to create art installations, and to translate subtitles for theatre performances and films. She is also the part-time lecturer of the School of Theatre and Entertainment Arts, HKAPA. Latest work: TechBox 2023:The Travellers and The Listeners (Set and Costume Designer). 

Currently work as a lighting designer. Focusing on theatre lighting design and development of luminaire use in stage. LAI obtained his Master of Fine Arts in Theatre Design (major in Lighting) from the Taipei National University of Arts upon his graduation in CUHK with a bachelor in Electronic Engineering.

In 2017, the lighting design of《L'AIDE-MÉMOIRE》was selected as emerging design in World Stage Design 2017 (WSD2017). LAI keeps to collaborate with varies artists and theatre companies in Hong Kong and Taiwan. He would like to explore the world through lighting and his believe: ‘Light as the first eye.’ Major design included: 30th Anniversary of Cultural Centre《Yin Yu Chun Fai》, HK Art Festival Contemporary Dance Series《Dance Off》《, A Fantastie Journey @Xmas》《, Emoto》《, BON 4 BON》《, String》《, Folding Echoes》, 《PAPA》and《Red Demon》.

Ding is a musician who is a handpan artist, maker and educator. He has over 20 years of experience in performing pop piano. In 2018, he founded Panlab, Hong Kong's first studio dedicated to handpan making and education.

Through playing the handpan and teaching the process, Ding is able to gain deeper insights into the essence of music. He believes that the pure and joyful sounds of the handpan can touch people's hearts. In recent years, he has been actively promoting handpan music in various universities and institutions. He has also participated in arranging and recording the handpan parts for Margaret Cheung's "Direction".He has performed as a handpan artist on ViuTV's "1TAKE Performance", "Talker - Music is", and "Chill Club Chart Award Presentation23/24". In 2023, he was invited to perform with handpan music at the Asia Yoga Conference to help the audience relax. In 2023 and 2024, he was invited to perform at the Handpan Music Festivals in Chiang Mai, Thailand, and Hiroshima, Japan.

Trained as a violinist from the age of six, Senju has nurtured a profound passion for classical music. His defining moment occurred during the pandemic when, unable to participate in a chamber music concert, he turned to crafting his own compositions using a digital audio workstation and the vocal synthesizer. Since then, he has continued to explore music composition, initiating live performances that blend his physical presence with digital and acoustic elements, both solo and alongside other instrumentalists.

His portfolio spans game music compositions, including 'Last Score' (2021) for SEGA's Project SEKAI: Colorful Stage! feat. Hatsune Miku/Hatsune Miku: Colorful Stage!, 'Utahime Kido' (2023) for WonderPlanet's ALICE Fiction - Puzzle RPG, 'My Brightest Star' (2024) for Crash Fever, also by WonderPlanet, and the upcoming release of 'Sister Sister' (2024) in Maimai by SEGA.